In this rehearsal process, we first start with…SOUND. Of course, communicators must be heard, so sound matters. The mic matters, how we use the mic matters, how we articulate matters, our volume and tone matter. But before we find ourselves on the stage or in a heated conversation, we must rehearse. A rehearsal technique that bakes one layer of life into our communication is to focus on the sound of the words and allow for that sound to inform our performance. In my early twenties, I was lucky enough to study at the Royal Academy of Dramatic Art with…Read on.

Many years ago I studied Shakespeare at the Royal Academy of Dramatic Art with a wise teacher, David Perry. My partner and I brought in the scene from Shakespeare’s A Midsummer Night’s Dream, where Titania and Oberon, the Queen and King of the Fairies, confront one another. We decided to play the scene with a sense of flirtation and provocation. I remember sprawling on a love seat backwards, legs in the air, while I fed myself long strands of red licorice. David watched the scene patiently. When we were done, he asked: “What makes you think Oberon and Titania …Read on.