banter

Welcome to my blog, Banter.

I’ll start, you chime in—I really want to hear from you!

Kate Bennis Kate Bennis

Safety Nets: notes, scripts, prompters, confidence monitors

Shhh…I do NOT tell my speakers there will be safety nets. I do not offer “confidence monitors” or a podium upon which to place pages of text. And yet sometimes, as we near our performance date, it becomes clear that a safety net is required in order to be fully present on stage.

My marvelous acting teacher, Alice Spivak , was called a “dialogue coach” for many famous actors, singers, models, and comedians. She would be on set or in rehearsal and give coaching from the side. One of her clients, the great Diahann Carroll, took on the role of Dr. Livingstone in John Pielmeier’s play Agnes of God on Broadway. For the first weeks, Alice sat in the front row with a copy of the script on her lap. If ever Ms. Carroll lost her way, Alice would tilt up her head, her face mirroring Dr. Livingstone’s emotion, and mouth the words with exaggerated clarity, a safety net lovingly unfurled over the orchestra pit. A seasoned and professional performer knows to ask for support when it is the best choice for the performance and therefore, for the audience.

Susan McCulley has coached many of our speakers at the Charlottesville TEDx. Her background as a writer, editor, artist, and mindful movement instructor give her the skills to support speakers along the way from crafting the text, to embodying the talk. One of her speakers took the very demanding risk of memorizing the entire 18-minute text. The speaker held notes twisting tightly in her hands, but knew she would not…Read on.

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Kate Bennis Kate Bennis

Physical Communication

Anyone here fallen asleep during a production of Hamlet? I may have…Certainly the text is pretty extraordinary. So why might someone be bored or not able to connect to this most human drama? Most likely be cause the story is only told verbally and not inhabited physically. There is no coherence between the words, the expression, the body, and the intention. And haven’t we all experienced the strange pit in our stomachs when someone’s words do not match their expression? Maybe they tell us that everything is “just fine,” while tears pour down their cheeks. Or that they are not angry, though their jaws are clenched tight. Or that they’re listening while scanning social media. When our physical communication is incongruent with our words, the other, the audience, the group, feels that tension. They hear one message and receive another.

Most of the time we communicate without words at all—just gestures, expressions, sighs…read on for ways to find congruence…

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